Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers
“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this globe within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime regarding the belated ’70s and very very very early ’80s for their unabashedly political works. Szulkin’s films that are profoundly imaginative be considered as existential stories, absurdist parables, or premonitions about contemporary society’s hostility as well as the evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literary works russina brides through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Called “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies which were hardly ever seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global governmental environment.
Among the biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand brand new restorations that are digital brought in movie images. The show showcases most of Szulkin’s features, including their audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War associated with the Worlds: Next Century, a reimagining regarding the H.G. Wells novel and an indictment of mass media’s impact on civilians; O-Bi, O-Ba: The End of Civilization , which follows the residual survivors of a nuclear apocalypse while they wait for a mythical Ark to save lots of them from their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship as he is delivered for a objective up to a authorities state hell earth; and Szulkin’s last film, King Ubu , in line with the 19th-century Albert Jarry play, a brutal commentary on modern Poland within the aftermath associated with the Communism Szulkin criticized throughout his profession. Also, the retrospective will emphasize Szulkin’s quick movie work, like the folklore-inspired morality play Dziewce z ciortem in addition to documentary Working Women .
Presented in collaboration because of the Polish Cultural Institute ny.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and are usually $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center users. Save with the purchase of three seats or even more.
Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird
FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 western 65th Street) unless otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal parts coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, therefore the concept of the nuclear household.
Preceded by: New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this early documentary miniature from Szulkin illustrates six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world is becoming so wonderful that only prisoners are employed for the dangerous company of room research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered for a apparently condemned objective to a planet that is uncharted. Upon his arrival, he discovers some sort of curiously such as for instance a dilapidated, postapocalyptic world, where he could be welcomed because of the population as being a “hero,” an ignominious honor, he quickly learns, that is included with a many barbaric fate. Using the film’s title that is appropriately nonsensical the babble of their infant child, Szulkin provides a bleakly acerbic commentary from the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
Brand brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in a few dystopian future, researchers try to produce a fresh, flexible competition of people. a apparently ordinary item associated with the work, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about their life amidst drab bloc architecture that is soviet. Szulkin’s bold function first, styled in sepia tones and dramatic illumination, happens to be called a precursor to Blade Runner , but its name additionally appears back once again to a far more ancient misconception of creation and morality.
Preceded by: brand New electronic restoration The Gal therefore the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter aided by the devil, set to your Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere predicated on Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie is definitely a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute their own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a brand new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from an musician who devoted his profession to lobbing grenades during the equipment of totalitarian corruption that is political. Sunday, September 8, 6:00pm
Brand brand New electronic renovation O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. They have been spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, to some extent, because of the increasingly disillusioned smooth (Jerzy Stuhr) while he attempts to push away collapse that is total. Doing work in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable about the false claims of politics and religion that plays away like a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
Brand brand New electronic renovation The War regarding the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts aided by the Christmastime takeover of Poland by a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) whilst the vocals of these 1984 propaganda machine that is-esque. Nevertheless when Iron dares to set off message, he makes an enemy also higher than the aliens: the state it self. Released just like Poland was being plunged into martial legislation and instantly prohibited, The War associated with the Worlds: Next Century is a disturbingly prescient allegory of energy, control, and media manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm